“Bogd Khan” is not a term that is familiar to most people, but in Mongolia, the Bogd Khan is kind of a big deal. He was the Buddhist religious leader in Mongolia, and also functioned as a political leader after Mongolia declared its independence in 1911. He was the religious leader because he was the eighth reincarnation of the Jebtsundamba, the spiritual head of Mongolian Buddhism; though he, the last official Jebtsundamba, died in 1924, an unofficial Jebtsundamba now lives in Tibet but is unable to enter Mongolia for some hazy political reasons. These reincarnations lead back to the first Jebtsundamba, Zanabazar, the greatest Mongolian artist of all time who was also Awesome in a lot of other ways, and who was, in turn, a reincarnation of some other big deal Buddhist leader.
But this post is not about the Jebtsundambas; it’s about the Bogd Khan’s palace. Though the Soviets destroyed the Bogd Khan’s summer palace and temples, they left intact his Winter Palace. His Winter Palace complex also included many of his summer temples, so it’s a mystery why they didn’t tear it to the ground. His property (including religious artifacts) were all auctioned off to get money for the State, and when communism fell, supposedly all the buyers (or descendents of the buyers) donated his things so that they could be placed in the Winter Palace Complex as a museum. If this is true, it’s pretty Awesome. In any case, the Winter Palace is now a museum filled with religious artifacts, and the building of the palace itself is filled with all sorts of luxurious and lovely belongings of the Bogd Khan.
One quick interruption for a Mongolian Connection: It seems like everywhere I go, there are museums filled with the most beautiful luxurious things for the obscenely rich. There are the Crown Jewels in England and the giant diamonds and studded daggers of Topkapi Palace, and the lovely unicorn tapestries of the Cloisters that took 1,000 handmaidens 1,000 days to weave. (Okay, I made the 1,000 thing up. But that gets the point across.) Everywhere you go, as a constant, there will be absurdly beautiful and expensive things for the top .0001% of society. And every time I see these things hanging on walls or encased in glass, I get the same exact “I want that! Why can’t I have that?!” feeling. Which just goes to show that some things are constant. And also maybe explains how exactly communism did manage to sprout where it did—a society collectively taking its “I want that!” feeling and turning it into a “If I can’t have it you can’t have it!” feeling and turning that into a rebellion. But I don’t know about history or communism, so I imagine I’m grossly oversimplifying everything. What I do know is that seeing the 25 silk cushions of the seat of the Bogd Khan, and his capelet made from 160 mink tails, and his cloth-of-gold del, and a fox fur cloak the size of a bed, and an embroidered silk hat for his pet elephant, and his wife’s peacock feather giant parasol that went above her litter (seriously?), I probably would have started a rebellion if I’d thought I’d get some cloth-of-gold, too.
That’s all just background. I’m really bringing up the Bogd Khan’s palace (and his wealth, and the Jebtsundambas) to talk about the grass. Something struck me as a little off about the grounds of his palace and the courtyards between the temples. It seemed a little shabby, and then I noticed: The grass isn’t cut. The grasses were allowed to grow tall, with some scrappy shrubs and shorter grass and maybe weeds poking through concrete. I tried to imagine it in its former glory, all maintained and sprinkled and shiny. And I thought, “I think, maybe, I like it just the way it is.” There was something nice, something peaceful and pretty about its overgrownedness. I figured maybe it’s just because I was used to Oxford, where they have OCD over grass quads down to an art form. (Ask me someday about their grass clippers that have a tray to collect the grass as they trim the edges of the quads.) A while later, I joined an Australian group and their guide, and one of the women asked, “Why don’t they trim the grass here? It would be so lovely if they trimmed the grass.” This was interesting to me, because though I’d had the first question, my reaction was the opposite.
But then it got really interesting. One of the guides explained, “Oh, that’s the Mongolian way. We don’t like to disturb nature. Maybe they take out the weeds, but they don’t cut the grass because nature is beautiful on its own.” Ohhhhhhhh… At first, this seems like such a nice sentiment, and my favorite gardens at Oxford are the ones that are carefully engineered to look “natural.” But then I thought about all the other parks in Mongolia. They are all like the Bogd Khan’s palace, but when the background is concrete or apartment blocks instead of Buddhist temples, it sort of loses its charm. In fact, I lament the lack of just a pretty space in UB to sit and read outside. There are a few parks, but most of them are overgrown and unkempt and add to the abandoned Soviet city feel of UB. So why do Westerners prefer nature combed and cut and tame looking? And why do Mongolians prefer it wild? There can’t really be a version that’s objectively more beautiful, can there be? Is it just because of what we’re used to? I think of parks as ideally pretty and nicely cared for, but a Mongolian thinks of parks as beautiful when they are thick grasses pouring out of the sidewalk... Is that it? Or do our park preferences reflect some deeper social phenomenon or philosophy? From our perspective, I think it might have to do with wealth. Taking care of our gardens demonstrates labor and equipment, which cost money. Overgrown areas tend to be poorer areas, because they can’t afford the upkeep. So I see an overgrown park and think it’s overgrown because no one’s bothering to take care of it, which gives it that feel of abandonment/neglect. But what do overgrown parks symbolize for Mongolians? Is there an economic background for their preference, too? Or is it deeper than all that? Is it somehow related to a man vs. nature phenomenon, in which Westerners want to be the victors? Mongolians, on the other hand, are more comfortable with nature and accept their role as part-victim (in terms of nature’s sometimes harsh ways) and part-beneficiary (in terms of nature’s providing for them and its incredible beauty)… Is that it? Or am I reading way too much into this?
And lastly, it occurs to me that in fact there are circumstances in which Americans/ Westerners love natural beauty. The monasteries here with overgrown courtyards and the rock ruins poking through grass are beautiful, in contrast to the urban parks. And in America, sun-dappled meadows overflowing with wildflowers are idealized as nature’s untouched wonder; add a cottage to that meadow and it’s the setting for a heartwarming movie about the importance of family over financial success or something like that. So why are these types of overgrown nature considered good, while too much nature in our parks?—Get that under control! Does it have to do with the idea of things being out of place? We feel a need to control everything, from dirt to trash to our brains to our children’s brains to the weather, and nature fits into this. Having a well-maintained park keeps nature carefully in designated spots, but it’s okay for meadows to be overgrown because that’s what they’re for. That is, nature has its place, but it’s not where we live and work. (Unless, of course, we live in a cottage in a sun-dappled meadow overflowing with wildflowers, probably taking care of a handful of orphans, our senile mother, and a crippled dog, waiting to teach a stockbroker from the city how worthless money really is.)
And I think I’ve just hatched the plot for a new Kate Winslet movie.
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